LESS THAN PERFECT COPY
MIDNIGHT MOVIE MONOGRAPH by Jez Winship
SERIES EDITOR Neil Snowdon
PUBLICATION DATE September 2016
COVER ART & DESIGN David Chatton Barker
Jacketed hardcover limited to 500 numbered copies — ISBN 978-1-786360-52-6 [£20]
ABOUT THIS BOOK
IMAGINE IF YOU WILL that the BFI had a disreputable cousin, a Northern Grindhouse with tastes a little darker and stranger. With staff who love their movies with a passion that borders on religious zeal, who know you by name and welcome you in as they throw the doors open at midnight. Whose programming runs the gamut of worldwide genre film making, praising the strange, the unusual, the weird and forgotten.
Then step inside the ELECTRIC DREAMHOUSE! A new cinema imprint from PS Publishing and Editor Neil Snowdon . . . Settle down and get comfortable as we raise the curtain on our ‘MIDNIGHT MOVIE MONOGRAPHS’—an ongoing series dedicated to outstanding genre titles that just don't get the attention elsewhere. Written by genre authors, film makers and some of the finest critical voices on the scene, bringing a unique perspective to films they love, these are not dry academic texts. They are passionate, incisive, and inspiring explorations that go deep, from writers who know and love the genre inside out. Expert— indeed award winning—practitioners in their field.
MARTIN (1977) Directed by George A. Romero
In 1968, George A. Romero changed the face of Horror cinema with NIGHT OF THE LIVING DEAD. But it would be a decade before he caught lightning in a bottle again.Romero spent those 10 years honing his craft on a series of documentaries and low budget features that would culminate in the global phenomenon of DAWN OF THE DEAD in 1978. But MARTIN, made immediately beforehand, in 1977, is his unsung Masterpiece.Mature, controlled, and devastatingly effective, MARTIN is one of the most astonishing character studies ever committed to film. The tale of an alienated young man who may, or may not, be a vampire (a stunning performance by John Amplas); it is, by turns, disturbing, shocking, and heartbreaking.
“One of the finest American films of the 1970’s.”—James Marriot